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Easy Asylum Booth, ‘Bundu Edition’, (presented by the Botrovian Ministry of Immigration trading as SooS® (Skin of our Skin)); Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2022,
Salvation is at Hand, Easy Asylum Booth, ‘Bundu Edition’, (presented by the Botrovian Ministry of Immigration trading as SooS® (Skin of our Skin)); 3D model rendering; size variable;Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2021
Easy Asylum Booth, ‘Bundu Edition’, (presented by the Botrovian Ministry of Immigration trading as SooS® (Skin of our Skin)); Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2022,
Triple-Shuttle Robotic Tattoo Gun Suspension Support System PROTOTYPE 739,5y, (T-SRTGSSSP739,5y ) Health and Safety Poster; Easy Asylum Booth, ‘Bundu Edition’, (presented by the Botrovian Ministry of Immigration trading as SooS® (Skin of our Skin)); Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2021
Triple-Shuttle Robotic Tattoo Gun Suspension Support System PROTOTYPE 739.5y, (T-SRTGSSSP739.5y) Side Aspect; (semi-prolapsed, fully prolapsed and unprolapsed views); Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2021
Botrovian Seeker magazine cover; Easy Asylum Booth, ‘Bundu Edition’, (presented by the Botrovian Ministry of Immigration trading as SooS® (Skin of our Skin)); Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2021
‘Help is on its Way’, The Triple Shuttle Robotic Tattoo Gun Suspension Support System PROTOTYPE 739.5y, (TSRTGSSSP739.5y) Re-Envisioned as an Airship Emerging from the Fog; Easy Asylum Booth, ‘Bundu Edition’, (presented by the Botrovian Ministry of Immigration trading as SooS® (Skin of our Skin)); Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2021 ; with much thanks to and respect for the Master:Francisco José de Goya y Lucientes2
Supercharger Aphorism 551; from The Wisdom of Supercharger,; Supercharger – blown collective; 2023
AOMAME.SPACE, 'Doing Time', still image from constructed 3D virtual environment, Ric Bower and Rhiannon Lowe, 2022
AOMAME.SPACE, 'Doing Time', still image from constructed 3D virtual environment, Ric Bower and Rhiannon Lowe, 2022
AOMAME.SPACE, 'Doing Time', still image from constructed 3D virtual environment, Ric Bower and Rhiannon Lowe, 2022
Supercharger Aphorism 753B; from Supercharger Aphorisms; Supercharger – blown collective; 2022
Video still; Influence, 2021, HD Video, 11’30”; a Nástio Mosquito Recipe by Supercharger – blown collective & Nástio Mosquito for TTTAW
Video still; Influence, 2021, HD Video, 11’30”; a Nástio Mosquito Recipe by Supercharger – blown collective & Nástio Mosquito for TTTAW
Video still; Influence, 2021, HD Video, 11’30”; a Nástio Mosquito Recipe by Supercharger – blown collective & Nástio Mosquito for TTTAW
Video still; Influence, 2021, HD Video, 11’30”; a Nástio Mosquito Recipe by Supercharger – blown collective & Nástio Mosquito for TTTAW
Video still; Influence, 2021, HD Video, 11’30”; a Nástio Mosquito Recipe by Supercharger – blown collective & Nástio Mosquito for TTTAW
Supercharger Aphorism 819; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
Supercharger Aphorism 885; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
Skin of our Skin (you are my sugar-paper) ‘Easy Asylum’ Booth); dIgitally generated installation featuring digital prints on side and back walls with Preliminary Interview Table; Supercharger – blown collective; (in collaboration with Nástio Mosquito); 2021
Reverse-Panopticon, Special Anniversary Edition (RPSAE) Fagot-Analytics (FA), Propaganda/Communications Drone Poster Deployment Package PCDDP10.7b ‘Apostatizer’, Unhumanned Flying Machine (UFM) shown both in Deployed Condition (DC) and Pre-Deployed Condition (PDC) The Reverse-Panopticon, Press image, Supercharger – blown collective, Nástio Mosquito & Kelly Schacht, 2019, courtesy ArcadeCampfa, photo: Amber Bower
Reverse-Panopticon Security Mark (RPSM) tattooed on model's heel, polaroid photograph, The Reverse-Panopticon Drawing Class, © Supercharger-blown collective, Nástio Mosquito, Kelly Schacht, 2019
Tactic δASPM1b Enlightenment Hood, screen view of the Reverse-Panopticon Drawing Class, (detail). The Reverse-Panopticon, © Supercharger – blown collective, Nástio Mosquito & Kelly Schacht, 2019, courtesy ArcadeCampfa
'I am proud to be featured in the UK's premiere biweekly political journal' Fagot Koroviev 2019, The Reverse-Panopticon, © Supercharger – blown collective, Nástio Mosquito & Kelly Schacht, 2019, courtesy ArcadeCampfa; high resolution scan of web press sheet taken from Private Eye magazine, August 2019
The Reverse-Panopticon Drawing Class, featuring the Tactic δASPM1b Enlightenment Hood, Fagot Koroviev ,members of the Botrovian Presidential Guard and The Leader's Digitally Harvested Underwear Befoulment Mark (UBM),, installation view, ArcadeCampfa, various media and variable size, The Reverse-Panopticon, © Supercharger – blown collective, Nástio Mosquito & Kelly Schacht, 2019, courtesy ArcadeCampfa
Trust Fagot: Fagot Koroviev, the Security Minister of the Nation State of Botrovia, (student number 529501) has achieved 90% at the OSHAcademy Professional Certificate Program 607 Tattoo and Body Art Safety. His training conformed with ANSI Z490.1 and ISO 45001 guidelines for safety. You will be pleased to hear the training also qualifies for Continuance of Certification (COC) toward professional recertification. Fagot received his qualification personally from Steven J. Geigle. MA, CET, CSHM-E. Reverse-Panopticon, Supercharger – blown collective, Nástio Mosquito & Kelly Schacht, 2019, courtesy ArcadeCampfa, Fagot’s coat by Tom Clulee
Members of the Botrovian Presidential Guard (pre-deployment: from the left: Arash, Alireze, Reza, Yasi, Peiman,Johanna, Khawaja), installation view, ArcadeCampfa, 018 The Reverse-Panopticon, © Supercharger – blown collective, Nástio Mosquito & Kelly Schacht, 2019, courtesy ArcadeCampfa
Reverse-Panopticon, Special Anniversary Edition (RPSAE) Fagot-Analytics (FA), Propaganda/Communications Drone Poster Deployment Package PCDDP10.7b ‘Apostatizer’, Unhumanned Flying Machine (UFM), shown in Deployed Condition (DC), installation view, ArcadeCampfa, digitally printed poster, The Reverse-Panopticon, ©Supercharger – blown collective, Nástio Mosquito & Kelly Schacht, 2019, courtesy ArcadeCampfa
Supercharger Aphorism 227; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
A.L. Moore is approached by students enthusiastic to meet him at SKI / Secundair Kunstinstituut, Gent
Copyright: National Photo Library of Botrovia, as part of Another Leader / Transitory Suppository: Act #I Security Research, (detail), Nástio Mosquito, Supercharger-blown collective, CCQ and Another Africa, commissioned by Emdash foundation, 2016, offset litho print on 90gsm coated paper, 62 cm x 82cm, 3000 copies
A.L. Moore is approached by students enthusiastic to meet him at SKI / Secundair Kunstinstituut, Gent
Copyright: National Photo Library of Botrovia, as part of Another Leader / Transitory Suppository: Act #I Security Research, (detail), Nástio Mosquito, Supercharger-blown collective, CCQ and Another Africa, commissioned by Emdash foundation, 2016, offset litho print on 90gsm coated paper, 62 cm x 82cm, 3000 copies
A.L. Moore, demonstrates Threat Position 7 (TP7) to a group of art students in Ghent; wrapped in a 160cm x 140cm ArmorRex 12kg (±1kg) Bomb Blanket (BB), with the additional human shield, he is, according to Ric Bower Koroviev , provided with Ve50-500 m/s protection against fragments (17 grains or 1.1 gm as per STANG 2920), as part of Another Leader / Transitory Suppository: Act #I Security Research, Nástio Mosquito, Supercharger-blown collective, CCQ and Another Africa, commissioned by Emdash foundation, 2016, offset litho print on 90gsm coated paper, 62 cm x 82cm, 3000 copies
Supercharger Aphorism 611F; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
130km, from the series: As I Walked Out, Ric Bower, pigment print, dimensions variable, 2006
funded by Arts Council Wales2
Six Inches, from the series: As I Walked Out, Ric Bower, pigment print, dimensions variable, 2006
funded by Arts Council Wales4
Supercharger Aphorism 223; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
The Shype of Foles (of the Worlde)® , Poster, Kelly Schacht and Ric Bower, Double A0 Poster
The Shype of Foles (of the Worlde)® , (production still), Kelly Schacht and Ric Bower, performance (±4 hours), film (4m 45s), 2017, car, printed matter, loud speaker system and volunteers
A Troll’s Breakfast, (details), Paul Avis and Ric Bower commissioned by CCQ in 2017 in response to Out of Controll, Egill Sæbjörnsson’s 2017 presentation for the Icelandic Pavilion at the 57th Venice Biennale; 110cm x 138cm, pigment print behind plexiglass, edition of five
A Troll’s Breakfast, (details), Paul Avis and Ric Bower, commissioned by CCQ in 2017 in response to Out of Controll, Egill Sæbjörnsson’s 2017 presentation for the Icelandic Pavilion at the 57th Venice Biennale; 110cm x 138cm, pigment print behind plexiglass, edition of five
A Troll’s Breakfast, (details), Paul Avis and Ric Bower, commissioned by CCQ in 2017 in response to Out of Controll, Egill Sæbjörnsson’s 2017 presentation for the Icelandic Pavilion at the 57th Venice Biennale; 110cm x 138cm, pigment print behind plexiglass, edition of five
Supercharger Aphorism 996; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
Evil Teddy, preparatory Study, Ric Bower, red chalk on paper
Supercharger Aphorism 119J; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
from series: Sleeping Pill Action II, Venice, (detail), Jan Fabre and Ric Bower, 13.5.2017, Salute, Venice, duration ±1 hour, pigment print, size variable, published in CCQ magazine, 2017 2
Catherine my Captain (detail), Megan Broadmeadow , Emily Watkins, Ric Bower; and CCQ magazine;
Fashion Director Danielle Rees; session hair stylist Dom Capel; Central St Martin's fashion design students (Belinda Gredig, Salome Kappelin and Scarlet Yang); and students and staff from Carmarthen School of Art.
published in CCQ magazine
Catherine my Captain (detail), Megan Broadmeadow , Emily Watkins, Ric Bower; and CCQ magazine;
Fashion Director Danielle Rees; session hair stylist Dom Capel; Central St Martin's fashion design students (Belinda Gredig, Salome Kappelin and Scarlet Yang); and students and staff from Carmarthen School of Art.
published in CCQ magazine
Supercharger Aphorism 43D; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
Three Generations (detail), from the series Prayer, Ric Bower, 2005, pigment print, dimensions variable,
National Photographic Portrait Award Finalist, NPG2
The Brouhers, (detail), from the series Prayer, Ric Bower 2005, pigment print, dimensions variable
Angie's Crew, (detail), from the series Prayer, Ric Bower, 2005, pigment print, dimensions variable
Supercharger Aphorism 551; from The Wisdom of Supercharger,; Supercharger – blown collective; 2022
from the series: Rituals of Becoming, (detail), crazinisT artisT (Va-Bene Elikem K. Fiatsi) and Ric Bower, 2017, pigment print, 102 x 138cm, courtesy the artists and Gallery 1957, Accra
Supercharger Aphorism 69C; from The Wisdom of Supercharger; Supercharger – blown collective; 2022
from series: Akɛ yaaa heko || One does not take it anywhere, Elisabeth Efua Sutherland, Paa Joe and Ric Bower, 2018; pigment print, dimensions variable,
featuring Alina Maria Veeser; Jacqueline Fadel; Vivian Boateng, James Turksona-Brown; Jeremiah Atcheah; Doris Mamley Djangmah; courtesy of tahe artists and Gallery 1957, Accra
from series: Akɛ yaaa heko || One does not take it anywhere, Elisabeth Efua Sutherland, Paa Joe and Ric Bower, 2018; pigment print, dimensions variable,
featuring Alina Maria Veeser; Jacqueline Fadel; Vivian Boateng, James Turksona-Brown; Jeremiah Atcheah; Doris Mamley Djangmah; courtesy of tahe artists and Gallery 1957, Accra
from series: Akɛ yaaa heko || One does not take it anywhere, Elisabeth Efua Sutherland, Paa Joe and Ric Bower, 2018; pigment print, dimensions variable,
featuring Alina Maria Veeser; Jacqueline Fadel; Vivian Boateng, James Turksona-Brown; Jeremiah Atcheah; Doris Mamley Djangmah; courtesy of tahe artists and Gallery 1957, Accra
Archive Projects 2:
Akɛ yaaa heko || One does not take it anywhere ; a collaboration with Elisabeth Efua Sutherland,
Catherine my Captain; a collaboration with Megan Broadmeadow & Emily Watkins
Sleeping Pill Action II; (portraits), Venice, a collaboration with Jan Fabre
Passing Through: radical acts of empathy; a collaboration with Va-Bene Elikem Kofi Fiatsi (aka crazinisT artisT)
A Troll's Breakfast; a collaboration with Paul Avis
All Trolled Out; a collaboration with Egill Sæbjörnsson
Bowers & Bower Audio Visual Systems; a collaboration with Richard Bowers
